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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2015

Jeff Ostrowski · September 14, 2015

Fr. Jonathan Morris, Pit Bull Attack, & More

What you didn’t know about Fr. Jonathan Morris…

Dr. Alfred Calabrese · September 14, 2015

Getting the most from your choir: Preparation

Only by knowing a piece inside and out can we teach it effectively and efficiently.

Fr. David Friel · September 13, 2015

Brilliant Idea for A Parish Fundraiser

A Different Type of “Silent” Auction

Veronica Brandt · September 12, 2015

Coming to Church on Time

Sunday is not exactly a day of rest—I’m sure many people working in Sacred Music would heartily agree!

Andrew Leung · September 10, 2015

Praying for Our Dead

“Praying for Our Dead: Essential Music for Catholic Funeral Mass” workshop will be held in Jaspers, GA on October 3.

Jeff Ostrowski · September 10, 2015

Musical Resources • 16th Sunday after Pentecost (Extraordinary Form)

“May thy grace … cause us to be zealous at all times in the doing of good works.”

Guest Author · September 9, 2015

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Including an update on wonderful things happening for Sacred Music in Colorado!

Dr. Alfred Calabrese · September 8, 2015

“Imagination, Preparation, Passion” • Getting the most from your choir

“The conductor should be able to hear a perfect performance of the piece before it even begins.” —Dr. Alfred Calabrese

Jeff Ostrowski · September 8, 2015

Video Demonstration • “Do Choral Vowels Matter?”

Can you see the difference? Can you hear the difference?

Dr. Lucas Tappan · September 8, 2015

Teaching New Singers

I like to cover (or re-cover) all of the basics with the boys and girls.

Jeff Ostrowski · September 7, 2015

A New Edition Of The 1962 Missal?

Download these Propers for Saint Pio of Pietrelcina—according to the 1962 Missale Romanum!

Christopher Mueller · September 7, 2015

Liturgy And Diversity

“His answer was surprising to me, and I thought it both prudential and catholic.” —Chris Mueller

Fr. David Friel · September 6, 2015

The Importance of Uniforms

The world needs the witness of priests in ordinary life, not just inside the church building.

Jeff Ostrowski · September 5, 2015

“Wearing The Cassock” • A Bishop Weighs In

“I think that all of us clerics should rethink our choice of clothing…” —Bishop René H. Gracida

Veronica Brandt · September 5, 2015

Mind, Senses and Recorded Music

A little pop psychology for your weekend.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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