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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2015

Jeff Ostrowski · September 14, 2015

Fr. Jonathan Morris, Pit Bull Attack, & More

What you didn’t know about Fr. Jonathan Morris…

Dr. Alfred Calabrese · September 14, 2015

Getting the most from your choir: Preparation

Only by knowing a piece inside and out can we teach it effectively and efficiently.

Fr. David Friel · September 13, 2015

Brilliant Idea for A Parish Fundraiser

A Different Type of “Silent” Auction

Veronica Brandt · September 12, 2015

Coming to Church on Time

Sunday is not exactly a day of rest—I’m sure many people working in Sacred Music would heartily agree!

Andrew Leung · September 10, 2015

Praying for Our Dead

“Praying for Our Dead: Essential Music for Catholic Funeral Mass” workshop will be held in Jaspers, GA on October 3.

Jeff Ostrowski · September 10, 2015

Musical Resources • 16th Sunday after Pentecost (Extraordinary Form)

“May thy grace … cause us to be zealous at all times in the doing of good works.”

Guest Author · September 9, 2015

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Including an update on wonderful things happening for Sacred Music in Colorado!

Dr. Alfred Calabrese · September 8, 2015

“Imagination, Preparation, Passion” • Getting the most from your choir

“The conductor should be able to hear a perfect performance of the piece before it even begins.” —Dr. Alfred Calabrese

Jeff Ostrowski · September 8, 2015

Video Demonstration • “Do Choral Vowels Matter?”

Can you see the difference? Can you hear the difference?

Dr. Lucas Tappan · September 8, 2015

Teaching New Singers

I like to cover (or re-cover) all of the basics with the boys and girls.

Jeff Ostrowski · September 7, 2015

A New Edition Of The 1962 Missal?

Download these Propers for Saint Pio of Pietrelcina—according to the 1962 Missale Romanum!

Christopher Mueller · September 7, 2015

Liturgy And Diversity

“His answer was surprising to me, and I thought it both prudential and catholic.” —Chris Mueller

Fr. David Friel · September 6, 2015

The Importance of Uniforms

The world needs the witness of priests in ordinary life, not just inside the church building.

Jeff Ostrowski · September 5, 2015

“Wearing The Cassock” • A Bishop Weighs In

“I think that all of us clerics should rethink our choice of clothing…” —Bishop René H. Gracida

Veronica Brandt · September 5, 2015

Mind, Senses and Recorded Music

A little pop psychology for your weekend.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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