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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2015

Richard J. Clark · July 31, 2015

Personal Issues Manifested in the Mass

Personal tensions can rise to the highest boiling point during Mass and no other place.
Why is this? As it turns out, there’s a pretty interesting reason.

Dr. Lucas Tappan · July 30, 2015

A Few More Thoughts on the Chorister Audition

At the end of the audition, most of the students experience a great sense of accomplishment and really consider it an honor to be accepted into the choir!

Jeff Ostrowski · July 30, 2015

Archbishop Fulton J. Sheen On Gregorian Chant

“I did my best to give utterance to all those black notes in the missal.” —Fulton J. Sheen

Andrew Leung · July 29, 2015

The Anglican can dress anything up?

Recently, I came across a video of a Anglican boys’ choir singing Dan Schutte’s “Here I am Lord”…

Jeff Ostrowski · July 29, 2015

Musical Resources • 10th Sunday after Pentecost (Extraordinary Form)

The recessional is bright, happy, and beautiful.

Aurelio Porfiri · July 29, 2015

“When You See Rome, You Will Lose Your Faith.”

Only the blind can avoid facing this reality: the biggest liturgical crisis is in Rome.

Jeff Ostrowski · July 28, 2015

A Most Devastating Change By Pope Paul VI

“We strongly resent the implication that we and our children are not sufficiently intelligent to understand the simple Latin of the Mass…” —Manifesto of the Catholic Laity (1943)

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Jeff Ostrowski · July 27, 2015

Why It’s Pointless To Argue Over Our Roman Missal Translation

“Women forced to sell their bodies in desperation and fear” —From a 2013 GIA hymnal

Fr. David Friel · July 26, 2015

Vesting Prayers • Part 4 of 9

The Alb

Veronica Brandt · July 25, 2015

Why it’s great to be Catholic

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

Jeff Ostrowski · July 24, 2015

Pope Pius XI and “Concelebration”

Can anyone shed light on this?

Andrew Leung · July 23, 2015

Review • Bread from Heaven

A collection of English Eucharistic motets published by Heath Morber and Ben Yanke

Jeff Ostrowski · July 23, 2015

Polyphony (SATB) By Verdelot • With Optional Hymn “Christe Supreme”

Amazing! Verdelot’s cadence here sounds quite modern!

Jeff Ostrowski · July 22, 2015

The “Little Rock Nine” & Sacred Music

How could closing down all the schools be a good plan?

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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