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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2015

Veronica Brandt · June 20, 2015

Wrapped in the Liber Usualis

A scarf adorned with pages from the Liber Usualis. Why not?

Follow the Discussion on Facebook

Richard J. Clark · June 19, 2015

Bigger Fish to Fry

Weddings, with all of their challenges offer an important chance to evangelize. God calls us to be fishers of women and men. That’s the most important catch of all.

Andrew Leung · June 18, 2015

“Battles” in the Church (Part 2 of 2)

2 “Liturgical Battles” that should not be fought

Jeff Ostrowski · June 17, 2015

SATB “Agnus Dei” by Verdelot with Rehearsal Videos

Who wouldn’t welcome a brief-but-beautiful piece like this?

Dr. Lucas Tappan · June 17, 2015

A Musical Diet

I realize what I propose seems like moving forward at a snail’s pace, but considering how long the average parishioner has been in the liturgical and musical desert, anything more would cause the musical equivalent of refeeding syndrome.

Jeff Ostrowski · June 17, 2015

Does Having Children Preclude Service As A Catholic Musician?

Here are some thoughts, but I can’t promise they make sense.

Jeff Ostrowski · June 16, 2015

Top Six Liturgical Quotes By Robert Cardinal Sarah

Is the “Reform of the Reform” dead? Bishop Serratelli and many others disagree!

Fr. David Friel · June 14, 2015

OFFERTORY: Chant Propers in Three Parts for Sundays & Feasts

Exciting New Collection of Simple English Propers!

Aurelio Porfiri · June 13, 2015

Optimists & Pessimists

There was a standard commonly accepted, so what was strange and of out of place felt that way.

Richard J. Clark · June 12, 2015

BENEDICTA: Marian Chant from Norcia ~ Number 1 on the Billboard Charts

Perhaps the recent commercial success of sacred music is indicative of humanity’s natural hunger for transcendent union with the Divine.

Jeff Ostrowski · June 12, 2015

Musical Resources • External Solemnity of the Sacred Heart (1962 Missal)

Some EF communities will celebrate the “External Solemnity” of the Most Sacred Heart on Sunday.

Andrew Leung · June 11, 2015

“Battles” in the Church (Part 1 of 2)

3 common “Liturgical Battles” that we see in the Church nowadays

Jeff Ostrowski · June 10, 2015

Video • “Three Approaches To A Catholic Hymn”

Including a special version of the “Tantum Ergo” by Fr. Adrian Fortescue.

Jeff Ostrowski · June 10, 2015

Solesmes Monastery & Latin Accents

I suspect that in a long melisma it’s hard to know “where you are”…

Dr. Lucas Tappan · June 9, 2015

Musical Green Eggs and Ham

Considering the great gift Mother Teresa had been to the world, I had to wonder why her sisters chose something as dubious as “Shepherd Me, O God” to be sung at her funeral?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Indeed, we may not hope for real Latin poetry any more, because Latin is now a dead language to all of us. However well a man may read, write, or even speak Latin now, it is always a foreign language to him, acquired artificially. It is no one’s mother tongue. Does a man ever write real poetry in an acquired language?”

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In

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