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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update II

Fr. David Friel · June 3, 2015

UESDAY was another day filled with excellent lectures at Sacra Liturgia USA 2015. In addition to the lectures, the liturgies have been most rewarding, and the hospitality of St. Catherine of Siena Parish, in the care of the Dominicans, has been first-rate.

The morning’s first lecture was delivered by Rev. Thomas Kocik, former editor of the journal Antiphon. The title of the talk was simply, “The Reform of the Reform.” Father Kocik’s fundamental assertion was that any authentic reform of the reform must begin with the Extraordinary Form as the point of departure, not the Ordinary Form.

In the course of his presentation, Father Kocik also listed a number of practical ideas for how a priest might transform his celebration of the Ordinary Form. Among his ideas were these:

1. Use the rite of blessing for water, with the proper chants, in place of the Penitential Act.

2. Employ the proper chants during each of the processions.

3. Chant the orations, prefaces, & the Gospel.

4. Use incense on every Sunday & solemnity, not just on special occasions.

5. Omit the intercessions on weekdays.

6. Opt for a silent preparation of the gifts.

7. Do not neglect the Latin language.

8. After catechesis, introduce the celebration of Mass ad orientem. [In the interim, consider using the “Benedictine arrangement.”]

9. Wear black vestments for funerals, All Souls Day, and other Masses for the Dead.

10. Do not omit the optional sequences.

11. Occasionally use the Gradual instead of the Responsorial Psalm.

12. Utilize the full complement of Votive Masses in the Missal.

13. Use the Roman Canon.

14. Bow your head at the names of the Trinity, the BVM, and the saint of the day.

All of these suggestions, of course, fall within the bounds of current liturgical law and require no special permission. Many priests have already taken some or all of these steps toward bridging the gap between the Ordinary & Extraordinary Forms.

Dr. Margaret Hughes (sister of fellow blogger David Hughes) gave a marvelous presentation entitled “The Ease of Beauty: Liturgy, Evangelization, and Catechesis.” Her paper gave evidence of her mastery of philosophy and bore the mark of her specialization in the philosophy of Joseph Pieper.

Among her many salient points, Dr. Hughes proposed that resting in what is good is the truest, fullest way of being active. She also said that “beauty is a harmonious meeting of the objective and subjective.” Of course, the experience of beauty in life should remind us that we are wayfarers on a journey, en route to the vision of total beauty.

Mr. Gregory Glenn is the founder & Pastoral Administrator of the Cathedral of the Madeleine Choir School in Salt Lake City, UT. He gave an engaging and humorous lecture outlining the history of how his choir school came into existence and how it has come to flourish. I am in awe of what he and his helpers have accomplished. Mr. Glenn did not inherit a well-established institution, after all; he forged the choir school, rather, from nothing and shaped it into a seedbed for world-class art.

In passing, Mr. Glenn pondered how some people can complain that it is too difficult for children to learn a Gregorian Mass ordinary. He offered a fascinating statistic that there are only 283 words in the Latin ordinary. Surely, children are capable of approaching such a limited number of vocabulary words.

Several other wonderful presentations have been made so far. I sincerely hope that the ideas being shared this week with conference attendees will lead to liturgical revitalization at the grassroots level in the communities we serve.

682 Sacra

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, Beauty, Catholic Youth Choirs, Latin, Liturgy of the Second Vatican Council, Omitting The Sequence On Pentecost, Propers, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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