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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update II

Fr. David Friel · June 3, 2015

UESDAY was another day filled with excellent lectures at Sacra Liturgia USA 2015. In addition to the lectures, the liturgies have been most rewarding, and the hospitality of St. Catherine of Siena Parish, in the care of the Dominicans, has been first-rate.

The morning’s first lecture was delivered by Rev. Thomas Kocik, former editor of the journal Antiphon. The title of the talk was simply, “The Reform of the Reform.” Father Kocik’s fundamental assertion was that any authentic reform of the reform must begin with the Extraordinary Form as the point of departure, not the Ordinary Form.

In the course of his presentation, Father Kocik also listed a number of practical ideas for how a priest might transform his celebration of the Ordinary Form. Among his ideas were these:

1. Use the rite of blessing for water, with the proper chants, in place of the Penitential Act.

2. Employ the proper chants during each of the processions.

3. Chant the orations, prefaces, & the Gospel.

4. Use incense on every Sunday & solemnity, not just on special occasions.

5. Omit the intercessions on weekdays.

6. Opt for a silent preparation of the gifts.

7. Do not neglect the Latin language.

8. After catechesis, introduce the celebration of Mass ad orientem. [In the interim, consider using the “Benedictine arrangement.”]

9. Wear black vestments for funerals, All Souls Day, and other Masses for the Dead.

10. Do not omit the optional sequences.

11. Occasionally use the Gradual instead of the Responsorial Psalm.

12. Utilize the full complement of Votive Masses in the Missal.

13. Use the Roman Canon.

14. Bow your head at the names of the Trinity, the BVM, and the saint of the day.

All of these suggestions, of course, fall within the bounds of current liturgical law and require no special permission. Many priests have already taken some or all of these steps toward bridging the gap between the Ordinary & Extraordinary Forms.

Dr. Margaret Hughes (sister of fellow blogger David Hughes) gave a marvelous presentation entitled “The Ease of Beauty: Liturgy, Evangelization, and Catechesis.” Her paper gave evidence of her mastery of philosophy and bore the mark of her specialization in the philosophy of Joseph Pieper.

Among her many salient points, Dr. Hughes proposed that resting in what is good is the truest, fullest way of being active. She also said that “beauty is a harmonious meeting of the objective and subjective.” Of course, the experience of beauty in life should remind us that we are wayfarers on a journey, en route to the vision of total beauty.

Mr. Gregory Glenn is the founder & Pastoral Administrator of the Cathedral of the Madeleine Choir School in Salt Lake City, UT. He gave an engaging and humorous lecture outlining the history of how his choir school came into existence and how it has come to flourish. I am in awe of what he and his helpers have accomplished. Mr. Glenn did not inherit a well-established institution, after all; he forged the choir school, rather, from nothing and shaped it into a seedbed for world-class art.

In passing, Mr. Glenn pondered how some people can complain that it is too difficult for children to learn a Gregorian Mass ordinary. He offered a fascinating statistic that there are only 283 words in the Latin ordinary. Surely, children are capable of approaching such a limited number of vocabulary words.

Several other wonderful presentations have been made so far. I sincerely hope that the ideas being shared this week with conference attendees will lead to liturgical revitalization at the grassroots level in the communities we serve.

682 Sacra

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, Beauty, Catholic Youth Choirs, Latin, Liturgy of the Second Vatican Council, Omitting The Sequence On Pentecost, Propers, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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