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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update II

Fr. David Friel · June 3, 2015

UESDAY was another day filled with excellent lectures at Sacra Liturgia USA 2015. In addition to the lectures, the liturgies have been most rewarding, and the hospitality of St. Catherine of Siena Parish, in the care of the Dominicans, has been first-rate.

The morning’s first lecture was delivered by Rev. Thomas Kocik, former editor of the journal Antiphon. The title of the talk was simply, “The Reform of the Reform.” Father Kocik’s fundamental assertion was that any authentic reform of the reform must begin with the Extraordinary Form as the point of departure, not the Ordinary Form.

In the course of his presentation, Father Kocik also listed a number of practical ideas for how a priest might transform his celebration of the Ordinary Form. Among his ideas were these:

1. Use the rite of blessing for water, with the proper chants, in place of the Penitential Act.

2. Employ the proper chants during each of the processions.

3. Chant the orations, prefaces, & the Gospel.

4. Use incense on every Sunday & solemnity, not just on special occasions.

5. Omit the intercessions on weekdays.

6. Opt for a silent preparation of the gifts.

7. Do not neglect the Latin language.

8. After catechesis, introduce the celebration of Mass ad orientem. [In the interim, consider using the “Benedictine arrangement.”]

9. Wear black vestments for funerals, All Souls Day, and other Masses for the Dead.

10. Do not omit the optional sequences.

11. Occasionally use the Gradual instead of the Responsorial Psalm.

12. Utilize the full complement of Votive Masses in the Missal.

13. Use the Roman Canon.

14. Bow your head at the names of the Trinity, the BVM, and the saint of the day.

All of these suggestions, of course, fall within the bounds of current liturgical law and require no special permission. Many priests have already taken some or all of these steps toward bridging the gap between the Ordinary & Extraordinary Forms.

Dr. Margaret Hughes (sister of fellow blogger David Hughes) gave a marvelous presentation entitled “The Ease of Beauty: Liturgy, Evangelization, and Catechesis.” Her paper gave evidence of her mastery of philosophy and bore the mark of her specialization in the philosophy of Joseph Pieper.

Among her many salient points, Dr. Hughes proposed that resting in what is good is the truest, fullest way of being active. She also said that “beauty is a harmonious meeting of the objective and subjective.” Of course, the experience of beauty in life should remind us that we are wayfarers on a journey, en route to the vision of total beauty.

Mr. Gregory Glenn is the founder & Pastoral Administrator of the Cathedral of the Madeleine Choir School in Salt Lake City, UT. He gave an engaging and humorous lecture outlining the history of how his choir school came into existence and how it has come to flourish. I am in awe of what he and his helpers have accomplished. Mr. Glenn did not inherit a well-established institution, after all; he forged the choir school, rather, from nothing and shaped it into a seedbed for world-class art.

In passing, Mr. Glenn pondered how some people can complain that it is too difficult for children to learn a Gregorian Mass ordinary. He offered a fascinating statistic that there are only 283 words in the Latin ordinary. Surely, children are capable of approaching such a limited number of vocabulary words.

Several other wonderful presentations have been made so far. I sincerely hope that the ideas being shared this week with conference attendees will lead to liturgical revitalization at the grassroots level in the communities we serve.

682 Sacra

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, Beauty, Catholic Youth Choirs, Latin, Liturgy of the Second Vatican Council, Omitting The Sequence On Pentecost, Propers, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

For the most part, a “good pope” is defined as someone who does what the critic would do if he were pope.

— William F. Buckley Jr. (6 September 1978)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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