Sacred Music Colloquium XXV — Update II
Report on the second day of the Sacred Music Colloquium in Pittsburgh
“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?” —The Vatican’s chief liturgist from 2014-2021; interview with Edw. Pentin (23-Sep-2019)
Report on the second day of the Sacred Music Colloquium in Pittsburgh
Report on the first day of the Sacred Music Colloquium in Pittsburgh
Lucy was a friend and mentor to me, and I would like to share with you a little bit of her story.
The Maternal Heart of Mary Church is a collegiate style church in Sydney, Australia and home to the only FSSP parish in the country.
Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.
The organist will play softly at the Offertory.
It had been over a decade since I had set foot in St. John Cantius—enough time to forget that one never can tell what beautiful surprise awaits unsuspecting visitors.
Stay tuned for daily reports on the CMAA Sacred Music Colloquium next week
“It is better to speak of a Declaration of Nullity rather than an Annulment…” —Most Rev. Gracida (1994)
Could this have something to do with how each line comes through “cleanly” in 3-part music?
A luxuriant choral setting of the Kyrie from “Mass of the Angels”
Mother Angelica sat down for a wonderful interview with a famous Theologian.
When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.
The organist will play softly at the Offertory.
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