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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do not mistake competence for conservatism.

Richard J. Clark · May 15, 2015

OST PEOPLE LIKE categories. Those who market products demand them. Likewise, we place labels upon each other. (I am guilty of this.) Then when we get to know someone or a situation more deeply, we may find they defy easy classification.

Interestingly, the more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is viewed negatively in some circles and positively in others. This is nonsense. It should be viewed simply as professional competence—no more—no less.

Professional competence is precisely this: you know what you are doing and why you are doing it. And church musicians must do several things well all at once. Therefore, it is incumbent upon them to improve their skills in the following areas:

1 • Play, conduct, sing well.

2 • Know the Church Documents; know the liturgy.

3 • Teach and catechize well.

4 • Be an effective administrator.

5 • Be a pastoral leader with good people skills.

Cultivating and effectively integrating all of these areas takes years if not decades. All-around competence is a matter of professionalism, not ideology. Interestingly, while No. 2 is often viewed as “conservative,” No. 5 is viewed in some circles as “liberal” or “progressive.” This too is nonsense. A pastoral approach is one of the most important aspects of being competent. It must be exercised with at least equal weight with all other areas. I.e., If one has studied music and liturgy at a high level, so must one be highly pastoral.

ERHAPS ANOTHER PERSPECTIVE is the vow of obedience taken by priests. I happen to know some priests who dislike the new translation of the Roman Missal—some, quite vehemently. However, one would never know this by attending any masses they celebrate. They are doing what the Church is asking of them and doing it well. This is obedience. This is also professional competence. Their personal view or opinion did not come into play.

Likewise, musicians must temper their own personal tastes. I have musical interests that are well beyond the scope of this blog or the liturgy. As such, the Mass is not a showcase for my personal ideology or interests. Does such an idea make me conservative? Or do considering pastoral needs in my decisions make me liberal? I don’t care, and I am weary of such labels. But I hope this approach make me better at my job. I hope such views lead to prayer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

Recent Posts

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  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
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