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Views from the Choir Loft

Do not mistake competence for conservatism.

Richard J. Clark · May 15, 2015

OST PEOPLE LIKE categories. Those who market products demand them. Likewise, we place labels upon each other. (I am guilty of this.) Then when we get to know someone or a situation more deeply, we may find they defy easy classification.

Interestingly, the more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is viewed negatively in some circles and positively in others. This is nonsense. It should be viewed simply as professional competence—no more—no less.

Professional competence is precisely this: you know what you are doing and why you are doing it. And church musicians must do several things well all at once. Therefore, it is incumbent upon them to improve their skills in the following areas:

1 • Play, conduct, sing well.

2 • Know the Church Documents; know the liturgy.

3 • Teach and catechize well.

4 • Be an effective administrator.

5 • Be a pastoral leader with good people skills.

Cultivating and effectively integrating all of these areas takes years if not decades. All-around competence is a matter of professionalism, not ideology. Interestingly, while No. 2 is often viewed as “conservative,” No. 5 is viewed in some circles as “liberal” or “progressive.” This too is nonsense. A pastoral approach is one of the most important aspects of being competent. It must be exercised with at least equal weight with all other areas. I.e., If one has studied music and liturgy at a high level, so must one be highly pastoral.

ERHAPS ANOTHER PERSPECTIVE is the vow of obedience taken by priests. I happen to know some priests who dislike the new translation of the Roman Missal—some, quite vehemently. However, one would never know this by attending any masses they celebrate. They are doing what the Church is asking of them and doing it well. This is obedience. This is also professional competence. Their personal view or opinion did not come into play.

Likewise, musicians must temper their own personal tastes. I have musical interests that are well beyond the scope of this blog or the liturgy. As such, the Mass is not a showcase for my personal ideology or interests. Does such an idea make me conservative? Or do considering pastoral needs in my decisions make me liberal? I don’t care, and I am weary of such labels. But I hope this approach make me better at my job. I hope such views lead to prayer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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