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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts “Live” Recording • Part 2

Jeff Ostrowski · April 27, 2015

871 Altar Cards Traditional Latin Mass ITHOUT QUESTION, the hardest thing about singing in a choir is also the most beneficial thing. Sooner or later, you must place a recording device near the Altar and find out how your choir actually sounds.

Most people think singing is easy. On paper, it seems easy. In fact, it’s incredibly difficult. Moreover, the first time you record a “live” Mass, you will probably be very discouraged. It’s like having a bucket of cold water thrown in your face. Yet, as I said, there’s nothing more beneficial.

I’ve mentioned in the past that many on the internet love to criticize and pontificate; but these same people are too afraid to post “live” recordings of their choirs (if they even direct a choir). They realize that if they do, people will rip them to shreds. As I said, singing is very difficult. It’s much easier to hide on the internet, disparaging the efforts of others.

Below is a “live” recording of our choir singing at yesterday’s Mass. Coming from immediately after the Consecration, it begins with chant and then launches into Palestrina: 1

    * *  Mp3 Download • “Live” Recording From Last Night

It was recorded by a tiny microphone near the Altar, behind a marble pillar. As you can hear, there are some balance issues, but these can be corrected as time goes on. Our 100% volunteer choir began singing in Advent. Since that time, we’ve never had the same exact group of singers show up two Sundays in a row. This makes it more challenging to correct balance issues, but I’m sure we’ll get there eventually. Our Masses currently happen Sunday evening, and not everyone can attend; but this will change whenever we obtain a Church of our own—we are the newest parish in Los Angeles.

I need to hurry up and continue making progress, because my time as director is limited; eventually the choir will notice I don’t know what I’m doing!



NOTES FROM THIS ARTICLE:

1   The score can be downloaded as a PDF by going to this website; look for the SANCTUS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: FSSP Los Angeles New Parish Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

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  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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