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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reviving a Music Program & Ryan Lynch on “Sounds from the Spires”

Richard J. Clark · January 16, 2015

UMPSTARTING A NEW CHOIR is always a challenge. Very often, a new director walks into a situation where there is a small program in need of bolstering. This may also involve igniting new programs. Doing so in a parish setting – “in the trenches” – is also very challenging. But it’s a challenge everywhere!

A glimpse into such a parish is St. Raphael’s Parish in Medford, Massachusetts where Ryan Lynch took over as Director of Music and Organist a little more than a year ago. Having no adult choir whatsoever, he also revitalized a small youth choir which now includes thirty-five children. Like many music directors, he is now teaching in the parish school, working with children from kindergarten through fifth grade. (Ryan Lynch is also very frequently heard for the Archdiocese of Boston’s televised masses on Boston Channel 7, WHDH.)

T TWENTY-EIGHT YEARS OLD, Mr. Lynch is certainly part of a new generation of musicians advocating for chant and traditional music of the Church. In doing so, the choirs at St. Raphael’s Parish have grown solidly with very capable and young volunteers.

When starting a new choir from scratch, Mr. Lynch has been wise in selecting repertoire that is simple, but substantial. He has relied a great deal on Richard Rice’s Simple Choral Gradual, the Chabanel Psalms, and Andrew Motyka’s Laudate Dominum Communion Antiphons. He is also slowly introducing the simple, yet essential Gregorian Chants of the Church. An indispensable resource for this is Richard Rice’s Parish Book of Chant.

Conventional wisdom assumes that popular styles of music will attract larger congregations and choirs. However, one cannot argue with the results at St. Raphael’s Parish, especially given greatly improved congregational singing, a revived adult choir, and the large numbers in his youth choir. While exceedingly versatile in handling different musical styles, his approach in laying a foundation of traditional sacred music of the Church has yielded much fruit in a short time. (Interestingly, this is often achieved with contemporary chant and choral based compositions.) This path takes courage and support from the pastor. Fr. Kevin Toomey, clearly has his trust in Ryan’s approach.

One final ingredient to infusing life into new programs one that Ryan has in abundance: interpersonal skills. Despite his youth, he demands respect by giving it. His singers of all ages love singing with him. In short, he is another parish musician who views his life’s work as service to the Church. Good-hearted and talented people respond quite positively to this philosophy. They want to take part in this service to God and others.

ECENTLY, RYAN LYNCH had a guest appearance on “Sounds from the Spires” on on SIRIUS XM 129 Radio, The Catholic Channel. The show is hosted by Dr. Jennifer Pascual, Director of Music at Saint Patrick’s Cathedral in New York City. This interview gives a bit of a glimpse for non-musicians of the daily life and challenges of a parish church musician. This was especially fitting after a busy Christmas Season!

• PODCAST • Here are some excerpts from “Sounds form the Spires” broadcast on 1.10.2015:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

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