Views from the Choir Loft

Catholic Line Art, Black and White • Installment #66

Cynthia Ostrowski · January 12, 2015

T HAS BEEN my pleasure to post these lovely images, and I will continue doing so. But let no one think these downloads can replace holding the actual Jogues Missal in your hands. The entire book is a work of art, and its typesetting will astound you.

Today’s image (#66 BELOW) was not used in the Jogues Illuminated Missal because we found other images of a higher quality … but it’s still very nice. It depicts the Nativity of our Lady, which formerly was celebrated with great solemnity.

      * *  66. Our Lady’s Nativity • 8 September (version B)
      * *  65. Easter Sunday • Our Lord’s Resurrection (not used)
      * *  64. The Angel Raphael • With Tobias
      * *  63. Christmas • Fifth Version
      * *  62. Holy Thursday • Last Supper (Second Version)
      * *  61. Immaculate Conception • 8 December (Third Version)
      * *  60. Presentation of Mary • 21 November … Not to be confused with 2 Feb
      * *  59. Purification (Presentation) • Alternate Image
      * *  58. Nativity of St. John the Baptist • 24 June
      * *  57. Immaculate Conception • 8 December (Second Version)
      * *  56. Our Lady’s Nativity • 8 September (version A)
      * *  55. Our Lady’s Assumption (VIGIL) • 14 August, OF
      * *  54. Easter Vigil (Holy Saturday) • Christ’s Resurrection
      * *  53. Celebration of Mass • St. Bernard’s authorship of the Salve Regina
      * *  52. Holy Thursday • Last Supper (First Version)
      * *  51. Sacred Heart of Jesus • Draw waters from the Savior’s Fountains
      * *  50. Low Sunday • Doubting Thomas
      * *  49. Palm Sunday • Christ riding a donkey
      * *  48. Epiphany • Second Version
      * *  47. Good Friday • Removing Christ from the Cross
      * *  46. Corpus Christi • Two Angels incensing Sanctissimum
      * *  45. Good Friday • Christ being mocked
      * *  44. St. Joseph the Worker • 1 May, EF
      * *  43. St. Joseph • Dying in the arms of Jesus
      * *  42. Pentecost • Our Lady with the Apostles
      * *  41. Purification (Presentation) • 2 February
      * *  40. Most Holy Trinity • Father, Son, & Holy Spirit
      * *  39. Passion Sunday • Our Lord’s Agony in the Garden
      * *  38. St. Joseph • 19 March
      * *  37. Immaculate Conception • 8 December (First Version)
      * *  36. Our Lady of the Most Holy Rosary • St. Dominic with Mary
      * *  35. Good Friday • Crucifixion
      * *  34. Holy Saturday • Paschal Mystery
      * *  33. Ss. Peter & Paul • 29 June
      * *  32. Requiem Mass • Monks praying with Catafalque
      * *  31. Holy Thusday • The Lamb which was slain
      * *  30. (Color) Beautiful Vestments • Blessing of the Wheat (1857)
      * *  29. Our Lady • “MARIA” Monogram
      * *  28. Celebration of Mass • Eucharistic Miracle of St. Gregory
      * *  27. St. Joseph Emblem • Patron of the Universal Church
      * *  26. (Color) Sacrifice of the Mass • Holy Trinity and Saints
      * *  25. (Color) Celebration of Mass • St. Gregory the Great sings
      * *  24. (Color) Te Igitur Image • Crucifixion
      * *  23. Precious Blood of Our Lord • 1 July, EF
      * *  22. Easter Sunday • Our Lord’s Resurrection
      * *  21. St. Peter: First Pope • The Keys of the Kingdom of Heaven
      * *  20. Feast of the Holy Name • Our Lady holding Christ
      * *  19. Corpus Christi • Multiple Angels incense Altar
      * *  18. Catholic Wedding • Nuptial Mass
      * *  17. Holy Family • Jesus, Mary, and Joseph
      * *  16. Circumcision of the Lord • 1 January, EF
      * *  15. All Saints’ Day • Alternate Image
      * *  14. Corpus Christi • Eucharistic Procession
      * *  13. Christmas • Fourth Version
      * *  12. Christ the King • Our Lord with Saints
      * *  11. Our Lady’s Assumption • Mary with Chorus of Angels
      * *  10. Ascension • Our Lord’s Feet are visible
      * *  09. Annunciation • 25 March
      * *  08. All Souls’ Day • Our Lord the Judge
      * *  07. All Saints’ Day • Saints adoring the Lamb
      * *  06. All Saints’ Day • 1 November
      * *  05. Christmas • Third Version
      * *  04. Exaltation of the Holy Cross • 14 September
      * *  03. Christmas • Second Version
      * *  02. Epiphany • First Version
      * *  01. Christmas • First Version

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

“Music List” • (Christ the King Sunday)

This coming Sunday—24 November 2024—is Christ the King Sunday (a.k.a. “Final Sunday in Ordinary Time”). Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. And the the Mode 3 ENTRANCE CHANT is utterly sublime.

—Jeff Ostrowski

“Entrance Chant” • Christ the King

Download the ENTRANCE ANTIPHON in English for the Solemnity of Christ the King (24 November 2024). It mimics the Mode III Latin version in a truly spectacular way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski