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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2014

Jeff Ostrowski · December 15, 2014

“The Gloves Are Off” — Jonathan Gruber & The Traditional Mass

“The faith of many was quite infantile, I would say.” —Paul Inwood, talking about preconciliar Catholics

Aurelio Porfiri · December 15, 2014

Risuoni La Mia Bocca

Liturgical song composed in honor of Saint Cecilia and performed in Rome.

Jeff Ostrowski · December 13, 2014

Musical Resources • 3rd Sunday of Advent

Including “Creator Alme Siderum” with English Translation by Rev. Adrian Fortescue.

Jeff Ostrowski · December 13, 2014

“The Experience After The Council Was So Strong And In Some Cases Violent…” —Cardinal Burke

6 December 2014 interview with Raymond Leo Cardinal Burke by GloriaTV.

Veronica Brandt · December 13, 2014

Knitted thuribles and other toys

Something I unvented (thank you Elizabeth Zimmerman) and also something else.

Richard J. Clark · December 12, 2014

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

“Christmas in Harvard Square” opened on the No. 2 spot on Billboard Magazine’s Classical Traditional Chart and has remained in the top 5 since.

Jeff Ostrowski · December 11, 2014

What They Didn’t Tell You About Psalm Tone VIII

Even the “Liber Usualis” omits critical information about Tone VIII.

Dr. Peter Kwasniewski · December 11, 2014

The Importance of Singing Carols

Let us make a point of singing good carols as much as we can throughout the whole Christmas season, rather than imitating a world that stops celebrating on December 26th.

Jeff Ostrowski · December 10, 2014

Review: An English Gradual (Belmont Abbey, 2013)

For myself, I prefer the liturgy entirely in Latin or entirely in the vernacular. Others will disagree.

Jeff Ostrowski · December 9, 2014

Any Hope For Modern Catholic Hymnody? Yes!

Major publishers include Haugen’s verse “not in some heaven, light-years away”—what can be done about it?

Aurelio Porfiri · December 8, 2014

A Meeting With Angela Ambrogetti

In Rome, Aurelio Porfiri interviews a respected Vaticanist about the Pope, Curia, and more.

Jeff Ostrowski · December 8, 2014

The Polyphonic Piece Your Choir Has Been Desiring!

As an added bonus, the score contains solfege markings!

Fr. David Friel · December 7, 2014

Sound the Bell of Holy Freedom

Hymn for the World Meeting of Families 2015

Jeff Ostrowski · December 6, 2014

Musical Resources • 2nd Sunday of Advent

Including scores, audio files, and organ accompaniments.

Veronica Brandt · December 6, 2014

The Christmas Album for 2014

Young men singing the medieval carol Gaudete in the crypt of St Mary’s Cathedral in Sydney.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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