• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Archives for December 2014

Jeff Ostrowski · December 15, 2014

“The Gloves Are Off” — Jonathan Gruber & The Traditional Mass

“The faith of many was quite infantile, I would say.” —Paul Inwood, talking about preconciliar Catholics

Aurelio Porfiri · December 15, 2014

Risuoni La Mia Bocca

Liturgical song composed in honor of Saint Cecilia and performed in Rome.

Jeff Ostrowski · December 13, 2014

Musical Resources • 3rd Sunday of Advent

Including “Creator Alme Siderum” with English Translation by Rev. Adrian Fortescue.

Jeff Ostrowski · December 13, 2014

“The Experience After The Council Was So Strong And In Some Cases Violent…” —Cardinal Burke

6 December 2014 interview with Raymond Leo Cardinal Burke by GloriaTV.

Veronica Brandt · December 13, 2014

Knitted thuribles and other toys

Something I unvented (thank you Elizabeth Zimmerman) and also something else.

Richard J. Clark · December 12, 2014

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

“Christmas in Harvard Square” opened on the No. 2 spot on Billboard Magazine’s Classical Traditional Chart and has remained in the top 5 since.

Jeff Ostrowski · December 11, 2014

What They Didn’t Tell You About Psalm Tone VIII

Even the “Liber Usualis” omits critical information about Tone VIII.

Dr. Peter Kwasniewski · December 11, 2014

The Importance of Singing Carols

Let us make a point of singing good carols as much as we can throughout the whole Christmas season, rather than imitating a world that stops celebrating on December 26th.

Jeff Ostrowski · December 10, 2014

Review: An English Gradual (Belmont Abbey, 2013)

For myself, I prefer the liturgy entirely in Latin or entirely in the vernacular. Others will disagree.

Jeff Ostrowski · December 9, 2014

Any Hope For Modern Catholic Hymnody? Yes!

Major publishers include Haugen’s verse “not in some heaven, light-years away”—what can be done about it?

Aurelio Porfiri · December 8, 2014

A Meeting With Angela Ambrogetti

In Rome, Aurelio Porfiri interviews a respected Vaticanist about the Pope, Curia, and more.

Jeff Ostrowski · December 8, 2014

The Polyphonic Piece Your Choir Has Been Desiring!

As an added bonus, the score contains solfege markings!

Fr. David Friel · December 7, 2014

Sound the Bell of Holy Freedom

Hymn for the World Meeting of Families 2015

Jeff Ostrowski · December 6, 2014

Musical Resources • 2nd Sunday of Advent

Including scores, audio files, and organ accompaniments.

Veronica Brandt · December 6, 2014

The Christmas Album for 2014

Young men singing the medieval carol Gaudete in the crypt of St Mary’s Cathedral in Sydney.

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

It is frightful even to think there are children, victims of abortion, who will never see the light of day.

— Pope Francis (13 January 2014)

Recent Posts

  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)
  • PDF • “Dr. Adrian Fortescue: Priest & Musician”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.