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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung | Sacred Musician

Richard J. Clark · October 10, 2014

NE OF THE JOYS of a life in sacred music is encountering new and talented people all over the world. Such people enrich our lives beyond measure. There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

As someone who grew up in the 1970s and 1980s, I am always thrilled to meet exceedingly talented people who are half my age or at least a decade younger! They bring a fresh perspective — one quite different than those of us who lived through the early days of the Post-Conciliar Era.

One such young conductor to watch is Andrew Leung. A native of Hong Kong, he is currently The Director of Music at St. Pius X Church in Conyers, Georgia where he directs the St. Cecilia Adult Choir, two Scholae Cantorum, and the St. Dominic Savio Children’s Choir. He is also Gregorian Chant Instructor at the Trappist Monastery of the Holy Spirit in Conyers, Georgia. While in Hong Kong he studied with Aurelio Porfiri. Furthermore, Andrew recently finished a degree in Sacred Music at the Franciscan University of Steubenville in Ohio. It was there that he founded the Schola Cantorum Sanctorum Angelorum at Christ the King Chapel at the Franciscan University of Steubenville, a student group which he developed and elevated to great heights in three short years.

OST UNEXPECTEDLY, I recently received recordings from Maestro Leung of two of my sacred choral works. They were recorded this past summer by the Schola Cantorum Sanctorum Angelorum. The first is a TTB setting of O Sacrum Convivium. The second, a TTBB setting of the Ave Maria. (The SSAT version of this Ave Maria has been performed around the world by The American Boychoir. One of the finest choirs in the world, they will be featured throughout the upcoming film Boychoir starring Dustin Hoffmann and Kathy Bates.)

Leung’s recording (TTBB version) stacks up well even next to the American Boychoir’s live recording (SSAT version). The American Boychoir’s rendering is transcendently exquisite; sublime prayerfulness distinguishes Leung’s recording with the Schola Contorum Sanctorum Angelorum. How do they compare for you?

* *  1 • YouTube:  Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* *  2 • YouTube:  Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Finally, I leave you with Leung’s beautifully prayerful recording of O Sacrum Convivium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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