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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Leung | Sacred Musician

Richard J. Clark · October 10, 2014

NE OF THE JOYS of a life in sacred music is encountering new and talented people all over the world. Such people enrich our lives beyond measure. There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

As someone who grew up in the 1970s and 1980s, I am always thrilled to meet exceedingly talented people who are half my age or at least a decade younger! They bring a fresh perspective — one quite different than those of us who lived through the early days of the Post-Conciliar Era.

One such young conductor to watch is Andrew Leung. A native of Hong Kong, he is currently The Director of Music at St. Pius X Church in Conyers, Georgia where he directs the St. Cecilia Adult Choir, two Scholae Cantorum, and the St. Dominic Savio Children’s Choir. He is also Gregorian Chant Instructor at the Trappist Monastery of the Holy Spirit in Conyers, Georgia. While in Hong Kong he studied with Aurelio Porfiri. Furthermore, Andrew recently finished a degree in Sacred Music at the Franciscan University of Steubenville in Ohio. It was there that he founded the Schola Cantorum Sanctorum Angelorum at Christ the King Chapel at the Franciscan University of Steubenville, a student group which he developed and elevated to great heights in three short years.

OST UNEXPECTEDLY, I recently received recordings from Maestro Leung of two of my sacred choral works. They were recorded this past summer by the Schola Cantorum Sanctorum Angelorum. The first is a TTB setting of O Sacrum Convivium. The second, a TTBB setting of the Ave Maria. (The SSAT version of this Ave Maria has been performed around the world by The American Boychoir. One of the finest choirs in the world, they will be featured throughout the upcoming film Boychoir starring Dustin Hoffmann and Kathy Bates.)

Leung’s recording (TTBB version) stacks up well even next to the American Boychoir’s live recording (SSAT version). The American Boychoir’s rendering is transcendently exquisite; sublime prayerfulness distinguishes Leung’s recording with the Schola Contorum Sanctorum Angelorum. How do they compare for you?

* *  1 • YouTube:  Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* *  2 • YouTube:  Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Finally, I leave you with Leung’s beautifully prayerful recording of O Sacrum Convivium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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