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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Paradox of Liturgical Reform Amidst Human Suffering

Richard J. Clark · August 15, 2014

IKE THE WALL OF JERICHO, so it seems the world is crumbling. Certainly, there is always unrest in the world. We are accustomed to the point of indifference. But from most any perspective, there is currently a heightened degree of unspeakable human tragedy in too many parts of the world. The persecution and suffering is heartbreaking and deeply sobering. Even Pope Francis in his August 13th letter to the United Nations calls for unprecedented concrete action:

I write to you, Mr Secretary-General, and place before you the tears, the suffering and the heartfelt cries of despair of Christians and other religious minorities of the beloved land of Iraq…I encourage all the competent organs of the United Nations, in particular those responsible for security, peace, humanitarian law and assistance to refugees, to continue their efforts in accordance with the Preamble and relevant Articles of the United Nations Charter.

This lends somber perspective.

How important is the liturgy in light of grave events? A phrase that is often heard is that following the rubrics is like “rearranging the chairs on the Titanic.” At times this could ring true. In 2013, Pope Francis famously likened the Church to a “…field hospital after battle. It is useless to ask a seriously injured person if he has high cholesterol and about the level of his blood sugars! You have to heal his wounds. Then we can talk about everything else. Heal the wounds, heal the wounds….” The Pope understood that the Church is in crisis and the priority is to “heal wounds and to warm the hearts of the faithful.” (Interview with Antonio Spadaro, S.J.)

So it is an easy leap to conclude that the mass or its finer details are insignificant or may be discarded. While I do not believe for a moment this is what Pope Francis was getting at, here enters the paradox. When the soul in distress, so terrified that the only possibility is to give oneself over to a power greater than oneself, particular words and form rarely matter. Yet, the mass is our greatest prayer. Such times demand even greater reverence.

N THE FACE OF EVIL AND UNSPEAKABLE SUFFERING, action is required from the Christian soul. This action not only includes but demands prayer. For those of us who are powerless to assist except to pray, our prayer must be with earnest intent. In doing so, we do well to remember this: following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity. The rubrics and the GIRM are in service to the celebration of the Eucharist. Their importance lies in what they achieve. This is why we do not dismiss them or render them unimportant. Lex Orandi, Lex Credendi, Lex Vivendi demands that our prayer has a direct connection with how we live out our lives. We pray as we believe, and therefore live.

Perhaps now is a good time to pray as we never have before.

“In the same way, the Spirit too comes to the aid of our weakness; for we do not know how to pray as we ought, but the Spirit itself intercedes with inexpressible groanings.” – Romans 8:26

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski
    “Corn” From Heaven?
    The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England and bears a 15 March 1958 IMPRIMATUR from the Archbishop of Westminster. Its IMPRIMI POTEST was given by the director of the Pontifical Biblical Institute in Rome. Sometimes words chosen by translators sound funny to American ears. For instance, one of our Responsorial Psalms has as its refrain: “The Lord gave them bread from heaven.” But the British version has “The Lord gave them corn from heaven.” Feel free to examine this with your own eyes. (It comes from Psalm 77.)
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

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  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?
  • Gospel Acclamation Verses … Nowhere Assigned?

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