• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Important Resources for Liturgical Reform (4 of 7)

Jeff Ostrowski · August 11, 2014

965 Gregorian HOULD CHURCH MUSIC be fun? I think so, but only recently realized this. A few months ago, I was alone in a room with a keyboard, waiting for my ride to arrive. The only book there was my collection of Chabanel Psalms. In case you don’t know, I usually detest my compositions after they’re published. (My friends who compose admit the same thing, so hopefully I’m not crazy.)

I began to play through some of my pieces. “Wow,” I thought, “this one isn’t horrible after all.” A while later, I was saying, “Hey, I actually kind of like this one.” As time went on, I realized that many of my psalm settings were really nice, and I was having fun singing through them. Then, I got worried.

“This is Church music. Is it supposed to be fun?”

YES, SINGING CHURCH MUSIC should be fun, although “fun” isn’t the best word. Singing the Psalms should be A DELIGHT. From what I can tell, the Church has always placed a great value on “keeping things interesting” at Mass. After all, we’re only human. So, the delightful melodies, the stained glass windows, the incense, and the entire liturgy ought to help us pray. As I mentioned in this article, variety helps prevent our minds from wandering. In the early centuries of the Church, the variety of antiphons and psalm tones helped the monks memorize the different Psalms—and there were tons of them! Nevertheless, the Church documents 1 have always stressed that everything done at the liturgy must be dignified.

You might like some of my psalm settings. You can download the entire collection here:

      * *  Saint Noël Chabanel Responsorial Psalms — 607 pages

You can also purchase bound books at that link (for a very reasonable price), but why purchase hard copies when you have the PDF file? I recommend doing so for the following reasons:

(a) it’s cheaper than printing on your own;

(b) bound books with beautiful covers are nice;

(c) you should obtain these while you can, because the future is unpredictable—even in the best of times!

NOW, LET ME TELL YOU about a truly marvelous collection you need to obtain. This collection of organ interludes for manuals only was composed by Dom Gregory Murray, and you can read the Preface by clicking here.

These pieces are TREMENDOUS.   Here’s a sample score:

      * *  100 Easy, Beautiful Organ Interludes for Manuals Only — Dom Gregory Murray

Here’s where you can purchase the complete collection:

      * *  Purchase this collection — from SheetMusicPlus

You won’t regret purchasing these!

Once upon a time, Watershed was going to look into publishing these, since many were written in the 1930s. However, this seems unlikely at this point. For one thing, I’ve been extremely ill since April, and this has made life quite difficult. That’s why I said above: “The future is unpredictable.”


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski



NOTES FROM THIS ARTICLE:

1   Several significant quotes are given during this exuberant video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dom Gregory Murray 100 Organ Interludes, Free Responsorial Psalms Organ Vocalist Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.