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Views from the Choir Loft

PHOTO: Cardinal Ratzinger Saying The Latin Mass

Jeff Ostrowski · July 22, 2014

234 Summorum AY BACK in 1989, Pope Benedict XVI celebrated the Tridentine Latin Mass in Weimar (Germany) in a crowded church, which included many priests and seminarians, and again in 1999. In 2001, while at a Fontgombault conference, Cardinal Ratzinger sang the Tridentine Latin Mass.

Cardinal Ratzinger celebrated the Tridentine Mass at Fontgombault Abbey just a few months before being elected Pope. In his homily, he said:

“Let us pray to the Lord to help us to help the Church to celebrate the Liturgy well, to be truly at the feet of the Lord, to receive the gift of true life, the essential and necessary reality, for the salvation of all, the salvation of the world. Amen.”

I’ll never forget the excitement surrounding the release of Summorum Pontificum in 2007. Rumors were flying about it years in advance. Every day I’d check the internet to see if the document had been released yet. Now, that day seems far in the past.

For the record, I’m pretty sure I see Fr. Josef Bisig smiling in one of these pictures. I’m also fairly certain my first chant teacher, Fr. Peter Gee, can be seen in two of these photographs (but he was probably only a seminarian at that time):

228 Ratzinger Traditional Latin Mass 230 B16 Peter Gee 231 Ratzinger Bisig

I’ve never been a huge fan of Bavarian vestments (although they’re talked about here), but each culture has its own style:

233 Ratzinger

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.
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Filed Under: Articles Tagged With: Young Cardinal Ratzinger Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912
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