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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2014

Dr. Peter Kwasniewski · May 15, 2014

Dogma as the Servant of Mystery

Dogmatic statements liberate the Christian intellect by establishing it in the truth.

Jeff Ostrowski · May 15, 2014

Would you know my name if I saw you in heaven?

Musicians tend to fight with one another over the DUMBEST things.

Andrew R. Motyka · May 14, 2014

Propers and “the Menu Approach”

You have Publisher X’s resources in the pews, so isn’t it easier to plan the liturgy using their resources?

Jeff Ostrowski · May 14, 2014

Truly Marvelous Image of Saint Isaac Jogues

This lovely image is courtesy of D.F. — taken at Georgetown University.

Aurelio Porfiri · May 13, 2014

The Importance of Words

“Indeed the real topic is not if liturgical music is important, but for what liturgical music is important.” — Aurelio Porfiri

Corpus Christi Watershed · May 12, 2014

When will there be a new Lectionary for Catholics in the United States?

“The sooner we get started, the sooner some of you will live to see it.” — Donald Cardinal Wuerl, talking in 2012 about the forthcoming Lectionary revisions.

Guest Author · May 12, 2014

Homily: 4th Sunday of Easter (Year A)

A homily by Fr. Valentine Young, OFM.

Jeff Ostrowski · May 11, 2014

How I Learned What Liturgy Really Is

Congregations in South Texas normally applaud for the musicians during Mass.

Fr. David Friel · May 11, 2014

Does a Liberal Arts Education Have Any Value?

Without the visual arts, music, theater, architecture, and the like, future generations will have no sense of culture.

Richard J. Clark · May 9, 2014

The Pipe Organ and Propers Flourish with Vexo and Weismann

While the pipe organ languishes in some places, it flourishes in others. There are three reasons why.

Jeff Ostrowski · May 9, 2014

An Unexplained Problem

I’m unaware of ANY other liturgical occurrence like this one.

Dr. Peter Kwasniewski · May 8, 2014

Sacred Choral Works CDs Available

These 3 full-length compact discs feature recordings of nearly every score in the 273-page book.

Corpus Christi Watershed · May 7, 2014

Simple English Propers: Full PDF Download

As a bonus, several handy website links are given!

Guest Author · May 6, 2014

John Henry Newman: A Deep History & A New Communion Motet

From chant to polyphony… our liturgies are being saturated once again with Proper texts and
liturgical music of great beauty.

Aurelio Porfiri · May 6, 2014

Latin And Western Civilization

“I am sorry, but this is not fair. Latin is heritage for each one of us.” — Aurelio Porfiri

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • My Ode to Kevin Allen
  • Music List • (3rd Sund. Ordinary Time)
  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Choose Carefully!
  • Active Participation • “Participatio Actuosa”

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