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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2014

Richard J. Clark · May 23, 2014

Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement

On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.

Jeff Ostrowski · May 22, 2014

Maurice Lavanoux • “Liturgical Arts”

Anyone have copies of this old magazine?

Dr. Peter Kwasniewski · May 22, 2014

Three Categories of Liturgical Problem

We need to know the different kinds of problems there are, and who in the Church is qualified or required to fix them.

Corpus Christi Watershed · May 22, 2014

HOME VIDEO • Jogues Illuminated Missal

Jeff discovered that making an impromptu video is harder than he thought!

Corpus Christi Watershed · May 21, 2014

SAMPLE PAGES • Jogues Illuminated Missal

These Mass texts are “3L” : Large, Lovely, Legible … silly sounding, but true!

Aurelio Porfiri · May 20, 2014

Blog Etiquette & “Liturgy Wars”

I’m amazed to see how being “anonymous” can make people behave in a way they would never behave if they used their true names.

Jeff Ostrowski · May 20, 2014

Pope St. John Paul II Celebrates Mass “Ad Orientem”

John Paul II leads the congregation facing the traditional way during his June 1999 visit to Poland.

Guest Author · May 19, 2014

An Overview of the Music Program at Our Lady of the Atonement Church & Academy (Part 1)

On Fridays, Mass is celebrated in Latin according to the Ordinary Form. Each day, one of the school choirs leads the liturgical singing.

Jeff Ostrowski · May 19, 2014

PDF Download: Extremely Rare Book Of Propers (1962)

A book which Bugnini called the “precursor” to the Simple Gradual is now online!

Guest Author · May 19, 2014

Homily: 5th Sunday of Easter (Year A)

The Church in its missionary efforts has always looked out also for the temporal well being of individuals.

Corpus Christi Watershed · May 19, 2014

Mass In Honor Of Saint Isaac Jogues

Using the New Translation of the Roman Missal.

Fr. David Friel · May 18, 2014

Collected Works of Joseph Ratzinger

Beginning with Liturgy

Veronica Brandt · May 17, 2014

Gregorian Chant in Star Wars

Dies Irae, Day of Wrath, a 13th century hymn that just won’t die.

Richard J. Clark · May 16, 2014

United in the Eucharist — Conservative, Liberal, or Universal?

These questions are nonsense of course and we are beyond all of this.

Jeff Ostrowski · May 15, 2014

How To Sing The Gregorian Alleluia

The Alleluia can be confusing, especially during Eastertide.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

Recent Posts

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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This

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