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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2014

Veronica Brandt · May 31, 2014

A simplified Offertory for Pentecost

Our little choir usually psalm tones the Offertory. Until now.

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Gwyneth Holston · May 30, 2014

Artist Lecture Series at Thomas More College

If you are in New England July 25 – August 1, you don’t want to miss this!

Dr. Peter Kwasniewski · May 29, 2014

The Danger of Being Arbitrary in the Liturgy

Traditional practices form a coherent whole, as they developed organically together. In many ways the liturgical reform was mechanistic and ideological.

Fr. David Friel · May 29, 2014

Living for Heaven

The Ascension as Our Model

Guest Author · May 29, 2014

Simple English Choral Propers by Jon Naples

Free polyphonic offertories for the Simple English Propers.

Andrew R. Motyka · May 28, 2014

Laudate Dominum Communion Antiphons

A full set of free English settings of the Communion antiphons for cantor, organ, and congregation.

Corpus Christi Watershed · May 28, 2014

The Truth Re: Latin And The Second Vatican Council

Certain parts of the Mass (such as the Canon) must remain in Latin, while others, especially those directed to the people (such as the readings and the restored «Oratio fidelium»), can take place in the vernacular.

Aurelio Porfiri · May 27, 2014

Recent Canonizations

I have no reasons to doubt their personal sanctity, but perhaps the proverbial “Roman slow pace” in this case would prove to be useful and somehow opportune.

Guest Author · May 26, 2014

An Overview of the Music Program at Our Lady of the Atonement Church & Academy (Part 2)

“In 2004, we had one school choir. As of 2014, we have ten.” — Edmund Murray

Jeff Ostrowski · May 25, 2014

Shall The Nuns Save Us? I Think So.

“Let us continue to do the best things in the worst times.”

Jeff Ostrowski · May 25, 2014

The Mystery of Missal vs. Gradual has been solved!

Are there concrete reasons to prefer the ancient texts from the Roman Gradual? Short answer: Yes!

Guest Author · May 25, 2014

Homily: 6th Sunday of Easter (Year A)

We keep the commandments to show that we love Jesus, but we do that mainly through the help of the Holy Spirit whom we especially receive in the Sacrament of Confirmation.

Fr. David Friel · May 25, 2014

150 Years of Sacred Music

A Philadelphia History

Veronica Brandt · May 24, 2014

Connection, empowerment and raffle tickets

Is selling raffle tickets a form of almsgiving? Or is it more like begging? Or is it just playing a game?

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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