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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Testament Hymns

Fr. David Friel · September 22, 2013

LOSE INSPECTION of the Greek New Testament reveals several passages that, on account of their peculiar structure, may have been early Christian hymns. One such passage is found in the first letter to Timothy:

Undeniably great is the mystery of devotion,

Who was manifested in the flesh,

vindicated in the spirit,

seen by angels,

proclaimed to the Gentiles,

believed in throughout the world,

taken up in glory.

(1 Timothy 3:16)

What most strikes me about this passage is the title it gives to our Lord. We all know the usual titles: Son of God, Son of Man, Prince of Peace, etc. But when did you last refer to our Lord as “the mystery of devotion”?

Catholicism is very comfortable with the idea of mystery. Critics of faith would make the accusation that “mystery” is a throwaway term used whenever hard evidence is lacking. This is what makes Agatha Christie’s novels so riveting; the mystery remains until the critical piece of evidence is unveiled, at which point the mystery is solved. But this would be a gross misunderstanding of what Catholics mean by mystery.

Mystery, for us, is not a dimly lit attic—so dark that its contents can’t be seen. Mystery, understood aright, is more like looking at the sun—so bright that we can’t take it all in at once.

God, Who is infinite, cannot be totally grasped by our finite minds. Jesus is all Truth, so He is mysterious in this sense. After the consecration (a rather ineffable moment), the priest proclaims “the mystery of faith.” We speak of the Paschal Mystery, too, because there is more to the Passion, Death, & Resurrection of Christ than we can fully appreciate.

We should be comfortable with mystery. The mysteries of our faith cannot be explained not for lack of content, but rather on account of superabundant content.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The modern human being, wearied by the noisy and hectic life, through an attentive listening can find in church a restful peace which is the springboard for true prayer.”

— Dr. Joseph Lennards (1966)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • Particularly Beautiful
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  • Extreme Unction
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