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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2013

Jeff Ostrowski · August 9, 2013

1949 Mass at the ruins of the Nagasaki Cathedral

Extraordinary photographs of a 1949 Pontifical Mass for the 400th anniversary of the arrival of St. Francis Xavier in Japan.

Dr. Peter Kwasniewski · August 8, 2013

Pope Francis’s Counsel: Do Not Waste What God Has Given Us

Pope Francis, no less than Pope Benedict, has a way of formulating universal principles of thought and action that apply to any number of related topics, including the sacred liturgy.

Andrew R. Motyka · August 7, 2013

Reading Honestly

In which I’m tempted to do the same thing I am frustrated by another doing.

Cynthia Ostrowski · August 6, 2013

Catholic Line Art, Black and White • Installment #28

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · August 6, 2013

First Look Images! • Campion Second Edition

“The scribes seldom knew Greek, so these renderings of Greek texts in Latin characters teem with mistakes of every kind.” — Dr. Peter Wagner

Jeff Ostrowski · August 5, 2013

Medieval Latin Catholics Sometimes Sang In Greek?

“The scribes seldom knew Greek, and so these renderings of Greek texts in Latin characters teem with mistakes of every kind.” — Dr. Peter Wagner (1903)

Corpus Christi Watershed · August 5, 2013

Paul VI “Disturbed And Saddened” By Purge Of Latin

“On 26th September, 1964, it was decreed as follows: In celebrating the divine office in choir, clerics are bound to preserve the Latin language.” — Pope Paul VI, 15 August 1966

Jeff Ostrowski · August 5, 2013

The Little Rock Nine

How would you like to have the United States army escort you to school each day?

Fr. David Friel · August 4, 2013

Returning from Rio

Blessed by Silence

Veronica Brandt · August 3, 2013

What’s so good about growing up?

“I have the best job in the world, I get to see people grow.” from a nurse looking after young families.

Richard J. Clark · August 2, 2013

Chant Belongs to the People

When I spoke to Fr. Pierre Paul about the wholesale abandonment of Gregorian Chant, he said something I’ll never forget – not just the words, but how he said it, with resolute irrefutability: “It belongs to the people.”

Dr. Peter Kwasniewski · August 1, 2013

Rediscovering Sacred Music with the Youth of Today

The true youth revolution in the Church will come by way of the mysticism of chant and the power of polyphony, not by way of second-rate imitations of secular music. To pull it off, however, requires real musical knowledge, talent, and a commitment to education.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

Recent Posts

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  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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