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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2013

Veronica Brandt · August 24, 2013

What not to do on GitHub

Read my mistakes to save yourself the trouble.

Jeff Ostrowski · August 23, 2013

Help! What does Fr. Deryck Hanshell mean?

USCCB Secretariat of Divine Worship: “The GIRM never speaks to every possible scenario that could take place.”

Jeff Ostrowski · August 22, 2013

Bishop Christensen Attempts To Ban “Ad Orientem”

“There is nothing in the Council text about turning altars toward the people.” — Joseph Cardinal Ratzinger

Dr. Peter Kwasniewski · August 22, 2013

Musings of an Aristotelian Catholic

In the mystery of the Incarnation, God takes delight in responding to man’s sensible, bodily nature, and the resulting need for tasting and touching our God.

Jeff Ostrowski · August 22, 2013

Pope Pius X: The Pope Who Carried His Shoes

Named Bishop of Mantua, Sarto began in 1884 to teach dogma courses in the Seminary, giving each student a personal copy of the “Summa Theologiae.”

Andrew R. Motyka · August 21, 2013

First, the Priests

The importance of the priest singing the orations at Mass.

Jeff Ostrowski · August 19, 2013

Singing Propers and Ordinary . . . at Low Mass?

“And the practice of saying a Low Mass while the choir sings bits of things is too dreadful to be described.” — Fr. Adrian Fortescue, 1912

Fr. David Friel · August 18, 2013

The Gift of Music

Whose Gift Is It?

Jeff Ostrowski · August 17, 2013

Anticipation of Richard . . .

One of our contributors, Richard Clark, plans to write about the 1998 ICEL translation . . .

Veronica Brandt · August 17, 2013

A hymn for St Mary of the Cross

A beautiful hymn from Rev Fr Popplewell FSSP from Canberra, Australia.

Jeff Ostrowski · August 17, 2013

Essay on Gregorian Accompaniment

I published this article in 2007. I am reproducing it here in case anyone finds it useful.

Kevin Allen · August 15, 2013

Motecta Trium Vocum • Video

To learn about Motecta Trium Vocum, please click here.

Kevin Allen · August 15, 2013

Contemporary Sacred Music: Does It Exist?

To learn more about I Sing of a Maiden, please click here.

Kevin Allen · August 15, 2013

Cantiones Sacrae Simplices • Video

To learn more about Cantiones Sacrae Simplices, please click here.

Corpus Christi Watershed · August 15, 2013

Foreword by Bishop René H. Gracida

Foreword by Bishop René H. Gracida

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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