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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Pius X: The Pope Who Carried His Shoes

Jeff Ostrowski · August 22, 2013

OPE PIUS X was known above all for his humility and poverty. There are hundreds of stories that illustrate this. For example, as a young child, he often carried his shoes on his back during long commutes to and from school. This was to prolong their life, since shoes were expensive, and his family was extremely poor. Even after becoming Pope, his devotion to Apostolic poverty was extreme, bordering on imprudence.

Any man can be elected Pope. As the good Father Leslie Rumble reminded us, Pope Leo XIII was a Prince by blood, whilst his immediate successor, Pope Pius X, was the son of a poverty-stricken mail carrier.

WHILE MOST KNOW of his humility, not all are aware of his devotion to Sacred music. Everyone should read the following 2003 article, published by the former director of the Pontifical Institute of Sacred music (PIMS) on the 100th anniversary of Pius X’s motu proprio:

      * *  2003 Article on Pope Pius X (Dr. Robert Skeris)

Here are some excerpts:

In 1882 as Vicar General of Treviso, Mons. Sarto personally participated in the Gregorian Congress at Arezzo, which passed resolutions affirming the problematic nature of the then papally privileged Regensburg Medicaean edition of the chant, and calling for a revival of the traditional liturgical melodies along the lines which Dom Joseph Pothier, O.S.B. had sketched out in 1880.

Named Bishop of Mantua (which at that time was beset with many problems), Sarto began in 1884 to teach dogma courses in the Seminary, giving each student a personal copy of the Summa Theologiae. He also personally conducted chant rehearsals for the students, so that the Mass chants would be sung correctly.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski
    “Chants” • 18th Sunday in Ordinary Time
    All the chants for 3 August 2025—which is the 18th Sunday in Ordinary Time (Year C)—have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (from the book of Wisdom) is stunning. That feast website has been called “the best kept secret of Church music.”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.”

— Professor László Dobszay

Recent Posts

  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time
  • “Corn” From Heaven?

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