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Corpus Christi Watershed

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Views from the Choir Loft

Archives for July 2013

Jeff Ostrowski · July 23, 2013

Were You An Altar Boy In The 1960s?

Do you recall trying to memorize the “Confiteor” and the dreaded “Suscipiat” to serve at Mass?

Corpus Christi Watershed · July 22, 2013

A Personal Remembrance . . .

“Could I have imagined at that time that I was sitting and conversing with the future Pope? Not in a million years!” — Fr. Christopher G. Phillips

Cynthia Ostrowski · July 22, 2013

Catholic Line Art, Black and White • Installment #26

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Fr. David Friel · July 21, 2013

High School Students

Finding God

Veronica Brandt · July 20, 2013

Here I owned Thy Presence

Owning up to the True Presence of Christ in the Eucharist. Do hymns help?

Richard J. Clark · July 19, 2013

“Missa de Jerry Seinfeld” and Praying as a Family

What I will remember most is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him.

Jeff Ostrowski · July 19, 2013

Never Do This. Just Say “No.”

Ruth Slenczynska wasn’t right about everything … but she was right about this.

Jeff Ostrowski · July 19, 2013

Should The Priest Face The People At Mass?

“In the encyclical Mediator Dei, Pius XII regarded as ‘archeologists those who presumed to speak of the altar as a simple table.” — Newsletter of the Vatican Congregation of Divine Worship.

Dr. Peter Kwasniewski · July 18, 2013

Silence (Part 2 of 3)

If the conditions for recollection are never present in our lives, if we do not fight to create and guard such conditions, we will lose our awareness of divine mystery, as refreshing as springtime rains, and wander in a desert of superficiality.

St. Edmund Campion Missal and Hymnal · July 17, 2013

Interview about Campion Missal, 2nd Edition

“Our hope is that the Campion Missal, in spite of its flaws, will allow Catholics to assist at Mass with greater devotion.” —Jeff Ostrowski

Andrew R. Motyka · July 17, 2013

Making Your Bed

Show and tell. Mostly show.

Jeff Ostrowski · July 17, 2013

The Organ Book of Adrian Fortescue

Charles Cole has saved me a trip!

Jeff Ostrowski · July 17, 2013

The Founding Of Corpus Christi Watershed

Imagine my astonishment to see the date assigned to us by the State of Texas back in 2006!

Jeff Ostrowski · July 16, 2013

Pavane for a Dead Princess — Maurice Ravel

One thing I’ve wanted to do for years is write about the Jesuit Martyrs of North America and share their stories with the world. I have failed.

Jeff Ostrowski · July 16, 2013

Something We Humans Detest: Hypocrisy!

“Members of this American liturgical/musical establishment continually boast about their flexibility and sensitivity, but they are in fact the most rigid and insensitive of the Church’s members, especially if one has the temerity to challenge them, their policies, their processes, or their programs.” — Paul Le Voir (1993)

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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