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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2013

Jeff Ostrowski · June 10, 2013

Watershed Customer Service

These days, companies treat their customers like animals. I find it disgusting.

Corpus Christi Watershed · June 9, 2013

Msgr. Wadsworth to help found new Oratory in D.C.

Fr. Richard Mullins is reporting that in July he will be “planting the seeds for an eventual Oratory of St. Philip Neri” with none other than Monsignor Andrew Wadsworth, Executive Director of ICEL.

Corpus Christi Watershed · June 9, 2013

Beautiful Art Can Still Be Found

Stained glass windows by Barbara Ferabecoli.

Fr. David Friel · June 9, 2013

True Compassion

Stepping Forward

Veronica Brandt · June 8, 2013

GABC Transcription Tools

Computers making life easier for once. No, really!

Jeff Ostrowski · June 8, 2013

“How Do I Use Gregorio? How Do I Use GABC?”

To prove that anybody can learn to use GABC (Gregorio) in five seconds to create Gregorian chant scores, I created this training video while holding a 6-month-old baby.

Corpus Christi Watershed · June 8, 2013

Alexander K. Sample, Archbishop of Portland

“The GLORIA of the Mass set to a Polka beat or in the style of rock music is not sacred music.” — Most Reverend Alexander Sample, Archbishop of Portland

Jeff Ostrowski · June 7, 2013

Concerning “Finger Flapping”

Sigh . . What to do when you’re the greatest of the great?

Richard J. Clark · June 7, 2013

The “Heart and Soul” of STTL: The Three Judgments: One Evaluation

If there is any one section of “Sing to the Lord: Music in Divine Worship” to become very familiar with, it is this one, and for rather intriguing reasons.

Fr. David Friel · June 7, 2013

Heart of Jesus

Love Beyond Words

Corpus Christi Watershed · June 7, 2013

Sacred Music Conference: Marquette, Michigan

Those from the Diocese of Marquette and neighboring dioceses are highly encouraged to attend!

Jeff Ostrowski · June 6, 2013

Splendid! A 2013 Recording By Cistercian Nuns

“I have listened to the CD with great enjoyment. When listening to the Cistercian Nuns of Saint Mary’s Abbey, one realizes that they do not just sing at prayer or sing their prayers: their very singing is prayer, according to the axiom, Those who sing well, pray twice.” — Quote from a listener.

Dr. Peter Kwasniewski · June 6, 2013

Can We Ever “Understand” the Mass?

Those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Andrew R. Motyka · June 5, 2013

An FYI on EP in the OF – Part 2

This week, we will take a look at the reading and Responsory.

Jeff Ostrowski · June 5, 2013

Fantastic News For The New Translation!

The crucial question was not asked: “Is the New Translation more accurate than the previous one?”

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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