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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2013

Corpus Christi Watershed · May 28, 2013

Read This Before You Comment

We reserve the right to delete comments we deem inappropriate.

Corpus Christi Watershed · May 27, 2013

How To Chant The Readings At Mass

Instructions for deacons learning to sing the Gospel during the Catholic Mass.

Jeff Ostrowski · May 27, 2013

Failure, The Liturgy, & Today’s Mr. Know-It-All

The priest who rejected my submission was very professional, polite, and encouraging.

Corpus Christi Watershed · May 27, 2013

Sung Propers: Various Simple Settings In English

Here’s a comparison of several complete musical settings of the Mass Propers by Fr. Guy Nicholls, Fr. Paul Arbogast, and others.

Jeff Ostrowski · May 26, 2013

Sibelius 7 • Get Rid Of Multi Rests!

“How can I get rid of those stupid multirests in Sibelius?”

Fr. David Friel · May 26, 2013

“Father, Not Everyone Can Sing”

How to Respond

Veronica Brandt · May 25, 2013

Top five resources for teaching chant to children

The staples in my bag for teaching Gregorian chant to an informal group of homeschoolers.

Jeff Ostrowski · May 25, 2013

In Search Of Polyphonic Recordings By Good Choirs

Does anyone have any suggestions?

Jeff Ostrowski · May 25, 2013

Fulton Sheen & The Holy Eucharist

Sheen’s book “Life of Christ” is such a treasure.

Richard J. Clark · May 24, 2013

Surprise! Musical Hierarchy in “Sing to the Lord: Music in Divine Worship”

The priorities of what we should sing at mass are full of surprises for some. I hope in the end that the greater “surprise” will be in how our prayer is formed by what we sing. I hope this will be the most pleasant surprise of all.

Corpus Christi Watershed · May 24, 2013

Msgr. Andrew Wadsworth On Sacrosanctum Concilium

“The singing of the Proper texts rather than the endless substitution of songs and hymns, are only now being seriously considered and implemented.” — Executive Director of the International Commission on English in the Liturgy (ICEL)

Dr. Peter Kwasniewski · May 23, 2013

Discerning Changes in the Old Missal

Could there be room for legitimate changes to the Missal of 1962, the last typical edition of the traditional Roman Rite of Mass or the “extraordinary form”?

Jeff Ostrowski · May 23, 2013

The Church Is Alive And Strong!

“The Church asks those who will lead and shepherd her communities of Faith to give up the possibility of marital love as a prophetic witness that there is something even more important to our happiness than even beautiful intimacy possible in Christian marriage.” — Archbishop Naumann, 18 May 2013

Corpus Christi Watershed · May 23, 2013

05 • Lalemant Interviews: Fr. Guy Nicholls

Rev. Fr. Guy Nicholls, an internationally-renowned expert on Gregorian chant and Renaissance polyphony, speaks about the Mass Propers in a “live” phone interview.

Jeff Ostrowski · May 23, 2013

Controversial Statements About The Mass Propers

The notion that the texts are there “to remind us that we should be singing something else” could not be further from the truth.

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • Particularly Beautiful
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  • Extreme Unction
  • Which Mass?

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