Views from the Choir Loft

Not a movie. This was real.

Richard J. Clark · April 15, 2013

RAY FOR BOSTON. Trying to digest the magnitude of the explosions in Boston is difficult for everyone.

This attack happened within my parish. St. Cecilia Parish in the Back Bay section of Boston, is around the block from the finish line of the Boston Marathon. Additionally, several beautiful historic churches literally surround the finish line. So where is God in all of this?

The screams captured from the Boston Globe video capture real terror and fear. Not a movie. This was real.

We await word to hear from loved ones and those in our parish community to know of their safety. Authorities have urged people to stay home. This isn’t over yet. Early reports indicate that among the dead may be a small innocent child. So, again, where is God in all of this horror?

Today a friend stated, “Forgiveness is hard today. Can’t stop crying.” Truth, love, justice, forgiveness and peace are all connected. Forgiveness is the hard road ahead for Boston and for all those who carry a heavy cross. We must pray for each other, so that like Simon we may help each other carry the cross.

So where there is charity and love, God is THERE. God can be found everywhere in Boston.

News of runners changing course, running to Massachusetts General Hospital to donate blood is where God can be found. Those opening their homes to house and comfort strangers is where God can be found. The outpouring of love, concern—living out the Gospel—is proof of God’s presence in Boston. God is THERE.

After 9/11 we all saw the healing power of love that followed the most horrific attack this country knew. People WANTED to help. Right now in Boston there is the same desire to help any way possible.

Please pray for God’s protection and guidance. Pray for the intercession of Mary our Blessed Mother who knows great suffering. Please pray for those in great need of comfort and especially for those in need of God’s mercy, love, and forgiveness at this time.

Psalm 85: 11-12:
“Love and truth will meet;
justice and peace will kiss.
Truth will spring from the earth;
justice will look down from heaven.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

“Entrance Chant” • Immaculate Conception

Download the ENTRANCE ANTIPHON in English for the Immaculate Conception (9 December 2024). It’s in the third mode—which some consider the most beautiful of all—and mimics the authentic version in a laudable way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

How Sharp Are Your Eyes?

Just around the corner is the feast of the Immaculate Conception. The GREGORIAN MISSAL (Solesmes Abbey, 1990) is an utterly gorgeous book—there’s no question about that. But several typos did creep in. Can you spot the major typo for the ENTRANCE CHANT on the feast of the Immaculate Conception? How sharp are your eyes? If you succeed, send me an email letting me know.

—Jeff Ostrowski

“Music List” • (Christ the King Sunday)

This coming Sunday—24 November 2024—is Christ the King Sunday (a.k.a. “Final Sunday in Ordinary Time”). Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. And the the Mode 3 ENTRANCE CHANT is utterly sublime.

—Jeff Ostrowski

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century have recently undergone a (blessed!) re-translation of the missal into English, and as we await with joyful hope (please God, before Jesus comes back!) a similar re-translation of the breviary, the opening of her article reminded me of that old saying, “the more things change, the more they stay the same.” Nearly a hundred years ago, she penned words that could just as easily have been written today: “It is indeed a privilege to be allowed any participation, however slight, in the liturgical movement in the Church – the movement to bring back the classics of devotion, the Missal and the Breviary, into general use by the laity. The wonder is that they should ever have fallen into disuse. Nothing can take the place of these great universal prayers of the Church, the prayers of the Mass and the divine Office. One has only to know them to find them indispensable. And alas, how few of the laity know them!” I know that I have been tremendously nourished by regular praying of the breviary as of late, and my wish is that you and I, dear reader, may continue to nourish our interior lives with the official prayer of the Church, which present to us (in the Mass) and extend (in the Office) the fullness of Christ’s greatest gift to us – the gift of Himself – in the Most Holy Eucharist.

—Daniel Tucker

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski