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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2012

Fr. David Friel · November 30, 2012

Andrew’s Orations

Why I Love Being a Roman Catholic

Fr. David Friel · November 26, 2012

Vision of the Apocalypse

Perfect Harmony

Fr. David Friel · November 25, 2012

The Underground Church

Long Live Christ the King!

Guest Author · November 19, 2012

Young Catholic Musicians

A guest article by Mr. Gary Penkala.

Jeff Ostrowski · November 19, 2012

Graduale Romanum Chants And The New Roman Missal

The best kept secret of the Second Vatican Council …

Fr. David Friel · November 18, 2012

Will All Men Be Saved?

Hope vs. Certainty

Cynthia Ostrowski · November 17, 2012

Christus Rex Pilgrimage

The Christus Rex Pilgrimage is a three day walking pilgrimage held annually on the traditional feast of Christ the King.

Fr. David Friel · November 16, 2012

First Century Progressives

Really?

Corpus Christi Watershed · November 13, 2012

Chant, Polyphony, and the New Evangelization.

VIDEO: Pope Benedict tells a choir group on pilgrimage in Rome that sacred music can be an effective means of the new evangelization.

Cynthia Ostrowski · November 12, 2012

Latin Mass at the University of Steubenville

Mass in the Extraordinary Form was recently offered at the Franciscan University of Steubenville.

Jeff Ostrowski · November 11, 2012

Folding One’s Hands At Mass

“It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.” Why would Dr. Fortescue say this?

Jeff Ostrowski · November 8, 2012

The Greatest Blog Entry Ever Of All Time

Edwin Fischer was considered the greatest Swiss pianist. I believe Alfred Cortot was also Swiss, but most people considered him French.

Fr. David Friel · November 4, 2012

Right Priorities

Public & Private

Jeff Ostrowski · November 3, 2012

[Book] Benedict XVI And Beauty In Sacred Music

This book looks like it would make a wonderful Christmas gift!

Jeff Ostrowski · November 2, 2012

Liturgy And Our Television Age

Have you noticed that absolutely everything is shown on television these days?

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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