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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Samuel & Eli

Fr. David Friel · January 16, 2012

The first reading for this Sunday tells the warm story of Eli & Samuel. I imagine that almost everyone in the world can identify with one of these two characters.

For young people in the Church, Samuel is a tremendous model. When he first feels himself being called, Samuel wants to respond immediately, even though he doesn’t really know how. The Scripture even tells us that “Samuel ran to Eli.” The boy doesn’t get frustrated, either, even as the mysterious voice he hears continues to nag him. Perhaps most notably, he demonstrates great humility by asking for Eli’s help. Samuel is, indeed, a great model for our young people and for how they should go about discerning the Lord’s call in their lives.

For others in the Church, it is Eli who serves as the great model. Did it not require the aid of Eli’s wisdom for Samuel to recognize the voice of the Lord? Eli, himself, had to recognize the Lord’s presence and then give Samuel direction so that he could respond to it. This is the great contribution of parents, teachers, coaches, aunts, uncles, Scout leaders, and all types of mentors: to point out the voice of the Lord. They have the opportunity to help young people discern their calling in life and to offer them encouragement as they learn to live it out.

There is no doubt in my mind & heart that God has a plan for every single one of us. Perhaps the greatest task young people face is figuring out what that plan is. A great many people, though, unfortunately never bother with taking up that task. This is, of course, a terrible shame, since none of us can ever be happy apart from God’s plan for us.

This is proven over & over & over again in the news every day. Some people think that doing whatever they want whenever they want will make them happy. They are (I would imagine) surprised to find that the end result of living in such a way actually isn’t happiness, but misery. Only in doing the will of God do we ever find peace; only by living out God’s plan for our lives can we be truly happy.

Our Church needs many young people like Samuel, who are willing to be called and formed in unique & beautiful ways. We need them to stand up and say with Samuel, “Here I am. You called me.”

Our Church also needs many wise Eli’s to guide our young people. We need them to point out the voice of the Lord—whatever it might be saying—in the midst of our societal noise.

I am confident that the Lord is speaking. My hope is that His young servants will be listening.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

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