Corpus Christi Watershed

Over these next few months, I want to try reach out to our readers.

The most problematic genre for use in broadcasting is the English setting of the Mass Ordinary since all of the major settings are currently under copyright.

I am imagining a new ensemble, built out of necessity, for the singing of polyphonic motets and even Mass ordinaries.

Before we began recording, the participants unanimously gave permission to post online.

A mother remembers the time she was chosen to “crown Mary” and describes organizing a “May Crowning” for her family during the pandemic.

As churches are working towards reopening, it is also no small change for many to concede congregational singing and choirs of any size. So many musicians have already sacrificed so much, spiritually, artistically, and economically.

This image of Christ as the Good Shepherd constitutes the supreme model for all pastors, clerical or (in a broader and unordained sense) lay—anyone leading others into the Sheepfold of the Church. It is, therefore, crucial to understand the various nuances of pastor, or shepherd.

Ever thought of changing the way you play a hymn without needing to have studies advanced theory and harmonization techniques? Here are two ways of changing the way you are playing a hymn without changing the harmony or re-voicing it.

Some very brief comments on the lessons we might learn during this pandemic for the future of liturgical music.