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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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The Saint John de Brébeuf Hymnal

The Saint John de Brébeuf Hymnal

INE ASSOCIATES of Corpus Christi Watershed were chosen to help produce the Brébeuf Hymnal, which (according to one of the main authors for the CHURCH MUSIC ASSOCIATION OF AMERICA) “has no parallel and not even any close competitor.” A member of the CATHOLIC ORGANIST GROUP wrote: “I have never encountered such a prolific and astoundingly interesting hymnal; I just read it for an hour and I’ve barely scratched the surface. I’m hanging on every word. It could easily stand as a primary text to a course, and is almost overkill as a pew aid.” The Brébeuf Hymnal contains three times as many hymns as its competitors. The Brébeuf series—sold exclusively by SOPHIA INSTITUTE PRESS—was designed by and for priests and musicians serving in real parishes across the globe.

*  Pew Edition • Purchase the Pew Edition (932 pages)
—Contact SOPHIA INSTITUTE PRESS for bulk discount rates.
*  CHORAL SUPPLEMENT • Purchase Link (1,192 pages)
—Must be used in conjunction with the pew edition.
*  ORGAN ACCOMPANIMENT • Three Volumes (1,292 pages)
—Sold by SOPHIA INSTITUTE PRESS; Spiral-Bound; extremely opaque paper.

The Brébeuf Portal:

* SEARCH THE HYMN PORTAL

This powerful and innovative portal can be searched for numerous hymn items. For example, search the portal for “EUCHARIST” and tons of Eucharistic hymns come up—as this result shows. You can also search for all instances of a particular melody found in the Brébeuf Hymnal. For example, when you search for the melody called “MELCOMBE,” the portal instantly pulls up these results. For tunes used no more than once in the Brébeuf Hymnal, the results reflect that. For example, if you search for the beautiful tune called “WHITEHEAD,” you get just one result (because that melody is only used once in the Brébeuf Hymnal). If you search for the ancient Latin hymn “Ad Cenam Agni Providi,” the results are splendid. Searching by liturgical season is highly recommended. For example, if you search for “ADVENT,” you get excellent results.

Access any hymn with ease! Simply type digits into the URL address shown below. (For example, #802 would be: https://www.ccwatershed.org/brebeuf/page/802/.)

(Brébeuf Hymnal) • Sample Pages
You can immediately download fifty-seven sample pages completely free of charge. Included are pages from the choral supplement & organ accompaniment volumes. In some ways, viewing these sample pages is the quickest way to learn about this exciting new book.

(Brébeuf Hymnal) • Complete Indices
You can download the complete index for the Brébeuf Hymnal. Mrs. Veronica Moreno has also uploaded a handy “seasonal index” that can be downloaded here.

(Brébeuf Hymnal) • No More Stacked Lyrics!
Lyric “stacking” has a number of major disadvantages. (If you’re confused about what “lyric stacking” is click here.) For example, when the keyboard player simultaneously serves as CANTOR, it’s virtually impossible to play all the notes correctly while attempting to sing “stacked” lyrics—especially if the hymn is unfamiliar, once you get past the first few verses. The Brébeuf Hymnal has solved this problem once and for all as you can see.

(Brébeuf Hymnal) • Additional Questions?
We’ve compiled thirty-five articles about the Brébeuf Hymnal published in various media outlets to help answer all your questions. We have included third-party reviews.

“Are These Hymn Titles in Latin or English?”
A very important thing to grasp!
Natalia explains in this video:

Here’s the direct URL link.

Free Rehearsal Videos
More than 1,000 and counting!
Natalia describes them in this video:

Here’s the direct URL link.

Alphabetizing Hymnals
Does it make sense?
Natalia answers in this video:

Here’s the direct URL link.

Notating Every Verse?
The least we can do for singers!
Natalia explains in this video:

Here’s the direct URL link.

Why Name a Hymnal After Father Brébeuf?
Who Was This Saint?
Natalia explains in this video:

Here’s the direct URL link.

What Are Its Two Sections?
Truly crucial information!
Natalia explains in this video:

Here’s the direct URL link.

Stations of the Cross by Fulton J. Sheen?
Plus Cardinal Ratzinger & Saint Alphonsus Liguori.
Natalia explains in this video:

Here’s the direct URL link.

Common Hymn Melodies
(a.k.a. “Shared Tunes”)
Natalia explains in this video:

Here’s the direct URL link.

The Father Brébeuf Hymnal is distributed exclusively by SOPHIA INSTITUTE PRESS, and has been featured in their Annual Report. Corpus Christi Watershed is a 501(c)3 public charity. In the interest of full disclosure, any artists who contributed to the Brébeuf hymnal—texts, melodies, harmonizations, artwork, and so forth—receive standard royalties. Please contact Sophia Institute Press with questions about the Brébeuf Hymnal: liturgy.sophiainstitute.com. Beautiful and powerful images of Saint Jean de Brébeuf—one North America’s patron saints—can be downloaded by clicking here.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.