Views from the Choir Loft

Resources • 3rd Sunday after Easter (1962 Missal)

Jeff Ostrowski · April 24, 2015

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL

Organist.

VIDI AQUAM

Vidi Aquam (Singer PDF)

A special version for the ORGANIST on the Repeat

INTROIT • Sung by the men only.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON • Palestrina Parody Mass

Part 1 with Impleta Sunt “Christe”

The Solfège for Part 1 is identical to the Sanctus—so you can get your practice videos for Part 1 below.

GLORIA IN EXCELSIS • Zachariis (†1594)

Practice Videos and scores

EASTERTIDE GRADUAL (ALLELUIA)

PDF Score (Singer)

Will be sung with a NEW ALLELUIA you can learn here.

CREDO IV • Alternatim

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFRT. ANTIPHON

PDF Score (Singer)

OFFRT. HYMN • Vita Sanctorum with Refrain

Complete score, with polyphony & unison: PDF Score (Singer)

Practice videos for this piece are here.

Score for organist—which will accompany the verses ONLY—can be downloaded here.

SANCTUS • Palestrina (“Vexilla”)

Chant Part • Polyphony Part • Practice the Solfège for the Polyphonic section

AGNUS

Du Fay Agnus Dei • Score • {Women Voice} • {Middle Voice} • {Men Voice}

COMM. ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION HYMN • Salve Festa Dies

PDF Score (Singer) • Organist

Bass Section go here and learn the harmony for the REFRAIN ONLY (“Salve festa dies, etc.”).

Everyone else please learn the unison for the REFRAIN here.

RECESSIONAL HYMN • 844 Come, Ye Faithful, Raise The Strain

From Campion Hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

Lectionary Errors

If you look at the official Responsorial Psalm (PDF) for this coming Sunday, you’ll notice the current Lectionary has the wrong refrain. Why is this a big deal? Why even mention such a thing? Everybody makes mistakes, right? Here’s why it matters. The USCCB—which makes money by selling the sacred liturgical texts—has historically been ruthless when it comes to such matters. When various publishers point out errors to them, their response has been: “If you dare to correct the error, we’ll sue you.” These errors are not a matter of nuance; e.g. sometimes the previous (English) edition of the Lectionary got them right! Bottom Line: mandatory, indulgenced, liturgical texts shouldn’t be sold; they should be freely available to all Catholics.

—Jeff Ostrowski

PDF • SABT Enhancement (“Our Father”)

If you direct music in the ORDINARY FORM, you’ll want to download this free PDF as fast as humanly possible. While in Europe last summer, Veronica discovered this breathtaking “polyphonic enhancement” for the Lord’s Prayer. The congregation sings their part as normal, while the choir “weaves” SATB harmonies around them. My choir is definitely going to use this!

—Jeff Ostrowski

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

Final Sundays after Pentecost

For those of us at a traditional Latin Mass, it’s that time of year when the sung propers for each Sunday repeat until the end of the liturgical year. What to do with the portion of your mid-week rehearsal that you normally devote to the next Sunday’s propers? I like to get a head start on propers for upcoming December feasts. We always sing Our Lady of Guadalupe on December 12 because she’s co-patroness of our diocese, and we sing a Rorate Mass in addition to Immaculate Conception. There’s also the first Sunday of Advent; it often follows Thanksgiving by a few days and we don’t rehearse on Thanksgiving. In short, there’s no reason to get bored at this time of year!

—Keven Smith