Views from the Choir Loft

English Prayers at EF Mass • How old are they?

Jeff Ostrowski · January 24, 2018

OW OLD are the English translations found in Extraordinary Form missals? Consider books currently being sold, such as the Campion Hymnal, which uses the Fr. Lasance translation. Or consider the famous “red books” popular in the 1990s. Or go back further, to the 1806 Roman Missal for Use by Laity (Fr. Husenbeth), which underwent numerous editions. Most of them use the same basic translation of the ORDO MISSAE—but how old is it?

I have previously mentioned that, in addition to the many contemporary texts composed specifically for the forthcoming Brébeuf hymnal, we also plan to include a few historic translations. Our research recently revealed a fascinating ORDO MISSAE in Latin & English from the year 1687:

* * PDF Download • ORDO MISSAE (Latin & English) … from 1687AD

Here are some excerpts, showing a breathtaking similarity to the English translation most “Latin Mass” Catholics have memorized:

90607 p326 • Latin English Mass (1687) ORDO MISSAE

90607 p310 • Latin English Mass (1687) ORDO MISSAE

90607 p298 • Latin English Mass (1687) ORDO MISSAE

90607 p292 • Latin English Mass (1687) ORDO MISSAE

90607 p286 • Latin English Mass (1687) ORDO MISSAE

90607 Canon • Latin English Mass (1687) ORDO MISSAE

It’s the same one I know—almost verbatim!

I also enjoyed looking at the prayers they included to help the congregation achieve deeper devotion. Some excerpts:

90607 p338 • Latin English Mass (1687) ORDO MISSAE

90607 p336 • Latin English Mass (1687) ORDO MISSAE

90607 p332 • Latin English Mass (1687) ORDO MISSAE

In the full PDF file (above) you’ll find interesting items such as:

A Prayer Before Confession

Prayer Before Receiving the Blessed Sacrament

Short Prayers during the Time of Mass
Necessary for the Better Understanding Thereof

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • (33rd Sund. Ordinary Time)

This coming Sunday—17 November 2024—is the 33rd Sunday in Ordinary Time, Year B. Some have expressed interest in perusing my “ORDER OF MUSIC.” If such a thing interests you, feel free to download it as a PDF file. You’ll notice we’re learning Moreau’s “Congregational Polyphonic Enhancement” for the OUR FATHER. For the record, our opening hymn is particularly beautiful. So is the Mode 6 ENTRANCE CHANT.

—Jeff Ostrowski

Lectionary Errors

If you look at the official Responsorial Psalm (PDF) for this coming Sunday, you’ll notice the current Lectionary has the wrong refrain. Why is this a big deal? Why even mention such a thing? Everybody makes mistakes, right? Here’s why it matters. The USCCB—which makes money by selling the sacred liturgical texts—has historically been ruthless when it comes to such matters. When various publishers point out errors to them, their response has been: “If you dare to correct the error, we’ll sue you.” These errors are not a matter of nuance; e.g. sometimes the previous (English) edition of the Lectionary got them right! Bottom Line: mandatory, indulgenced, liturgical texts shouldn’t be sold; they should be freely available to all Catholics.

—Jeff Ostrowski

PDF • SABT Enhancement (“Our Father”)

If you direct music in the ORDINARY FORM, you’ll want to download this free PDF as fast as humanly possible. While in Europe last summer, Veronica discovered this breathtaking “polyphonic enhancement” for the Lord’s Prayer. The congregation sings their part as normal, while the choir “weaves” SATB harmonies around them. My choir is definitely going to use this!

—Jeff Ostrowski

Principles vs Preferences

I ran into this idea recently: principles vs. preferences in planning out a curriculum or music lineup. In this idea, it is imperative to not misconstrue personal preferences into principles—that the music (or subject matter) is great because: “I have good taste, and I like it.” De gustibus… Education, study and docility to the Magisterium of the Church on matters of liturgical music must be present in those who make the music at the Holy Sacrifice of the Mass and the Hours. Who knows? Maybe you might start to prefer the music that is fitting according to the principles Catholic Sacred Music?

—William J. Fritz

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

Final Sundays after Pentecost

For those of us at a traditional Latin Mass, it’s that time of year when the sung propers for each Sunday repeat until the end of the liturgical year. What to do with the portion of your mid-week rehearsal that you normally devote to the next Sunday’s propers? I like to get a head start on propers for upcoming December feasts. We always sing Our Lady of Guadalupe on December 12 because she’s co-patroness of our diocese, and we sing a Rorate Mass in addition to Immaculate Conception. There’s also the first Sunday of Advent; it often follows Thanksgiving by a few days and we don’t rehearse on Thanksgiving. In short, there’s no reason to get bored at this time of year!

—Keven Smith