Views from the Choir Loft

PDF Download • New Composition By Kevin Allen

Jeff Ostrowski · January 1, 2016

ATERSHED COMMISSIONED the following setting from composer Kevin Allen to help 2016 begin on the right foot. We hope you enjoy what he’s done with this famous hymn text. I particularly enjoyed the Alto line, and took the liberty of creating some unauthorized rehearsal videos to help amateur choirs. (You’ll find them at the bottom of the page.)

* * PDF Download • “JESU DULCIS MEMORIA”

To learn more about this composer, please visit Emporium Kevin Allen.

1. Jesu dulcis memória,
Dans vera cordis gáudia:
Sed super mel et ómnia,
Ejus dulcis praeséntia.

1. Sweet is the remembrance of Jesus, bringing man his heart’s true joy; but sweet beyond honey and all created bliss is His presence.

2. Nil cánitur suávius,
Nil audítur jucúndius,
Nil cogitátur dúlcius,
Quam Jesus Dei Fílius.

2. No theme is more agreeable in the singing, none more welcome in the hearing, none more comforting in thought than Jesus, the Son of God.

3. Jesu spes paeniténtibus,
Quam pius es peténtibus!
Quam bonus te quaeréntibus!
Sed quid inveniéntibus?

3. Jesus, hope of penitent souls, how gracious You are to those that ask, how good to those that seek; but who shall say what You are to those that find?

4. Nec lingua valet dícere,
Nec líttera exprímere:
Expértus potest crédere,
Quid sit Jesum dilígere.

4. No tongue can tell this, nor pen express it; but the one who has experience of it can know in his heart what it means to love Jesus.

5. Sis Jesu nostrum gáudium,
Qui es futúrus praémium:
Sit nostra in te glória,
Per cuncta semper saécula.

5. Jesus, one day to be our reward, be our joy in this life. May our glory be in You through all eternity.

Literal translation by Fr. Joseph Connelly.

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube • Mp3 Audio

SOPRANO : YouTube • Audio

ALTO : YouTube • Audio

TENOR : YouTube • Audio

BASS : YouTube • Audio

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF • SABT Enhancement (“Our Father”)

If you direct music in the ORDINARY FORM, you’ll want to download this free PDF as fast as humanly possible. While in Europe last summer, Veronica discovered this breathtaking “polyphonic enhancement” for the Lord’s Prayer. The congregation sings their part as normal, while the choir “weaves” SATB harmonies around them. My choir is definitely going to use this!

—Jeff Ostrowski

“Entrance Chant” • Sunday (17 Nov. 2024)

Download the Entrance Antiphon in English for the 33rd Sunday in Ordinary Time (17 November 2024). It’s in mode 6—which some consider the “mode of peace”—and mimics the authentic version in a splendid and gorgeous way. Corresponding to the vocalist score is this free organ accompaniment. If you’re someone who enjoys rehearsal videos, I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Quotation” • Pope Pius X on Plainsong

In a letter to Msgr. Callegari (1897), Giuseppe Cardinal Sarto—later POPE SAINT PIUS X—wrote as follows: “If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei … that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.” Giuseppe Sarto, as Bishop of Mantua, personally copied (using a primitive duplicator) the sheet music necessary for the choir members, both in figured music and Gregorian chant.

—Jeff Ostrowski

Liquescent Notes in the Official Edition

The official edition—the EDITIO VATICANA itself—is somewhat inconsistent when it comes to liquescent notes. If you wish to see a perfect “apples-to-apples” comparison, click here. Such “inconsistency” was not owing to ignorance on the part of Abbat Pothier: the manuscripts themselves are inconsistent when it comes to liquescent notes.

—Jeff Ostrowski

Final Sundays after Pentecost

For those of us at a traditional Latin Mass, it’s that time of year when the sung propers for each Sunday repeat until the end of the liturgical year. What to do with the portion of your mid-week rehearsal that you normally devote to the next Sunday’s propers? I like to get a head start on propers for upcoming December feasts. We always sing Our Lady of Guadalupe on December 12 because she’s co-patroness of our diocese, and we sing a Rorate Mass in addition to Immaculate Conception. There’s also the first Sunday of Advent; it often follows Thanksgiving by a few days and we don’t rehearse on Thanksgiving. In short, there’s no reason to get bored at this time of year!

—Keven Smith

Parallel Fifths In Plainsong Accompaniment?

Parallel 5ths are forbidden in Baroque music and Classical music. However, plainsong accompaniment has its own rules and modal style. The great masters sometimes even wrote parallel sevenths! Instances of parallel fifths are too numerous to list in the Nova Organi Harmonia by the LEMMENSINSTITUUT. For example, consider this one. But one must possess a certain expertise to employ them properly. By the way, if you wish to see double parallel fifths, click here.

—Jeff Ostrowski